This paper discusses the three most prevalent elements of Islamic art that a r e embedded in modern furniture. This study is isolated from three design thinking approaches. A comparative study has been executed between three most apparent elements of Islamic art, which are arabesque, geometric and calligraphy. Those three types of design are applicable and relevant to modern furniture design nowadays. Therefore, the Islamic model was the paradigm in defining the furniture design character. The unstructured parameter within the appropriate method is a significant way of collecting the findings and usually used in the area of furniture design. The main results of this study are on how Islamic pattern is linked with the artistic design elements. The outcome of this investigation also contributes to a significant tendency in contemporary furniture design thinking solutions. Finally, this paper ends with discussions from three types of design thinking, which is the normative, reflective and hermeneutic design that collaborates with the current modern furniture design.